Molti usano cantare il seguente canto tradizionale dopo l'accensione della Chanukiyà

Traslitterazione:

Ma-oz Tzur Y’shu-a-ti Le-cha Na-eh L’sha-be-ach
Ti-kon Bet T’fi-la-ti V’sham To-da N’za-be-ach
Le’et Ta-chin Mat-be-ach Mi-tzar Ha-m-ga-be-ach
Az Eg-mor B’shir Miz-mor Cha-nu-kat Ha-miz-be-ach

Ra-ot Sav-ah Nafshi B’yagon Kochi Ka-leh
Cha-yai Me-ra-ru V’koshi B’shi-bud Malchut Egla
U-v’yado Ha-g’dola Ho-tzi Et Ha-sgula
Chel Parò V’chol Zarò Yardu K’even Bim-tzula

Dvir Kodsho Hevi-ani V’gam Sham Lo Sha-kat-ti
Uva Noges V’higlani Ki Zarim Avadeti
V’yen Ra-al Ma-sachti Kim'at She-a-varti
Ketz Bavel Z’ru-bavel L’ketz Shiv-im No-shati

Krot Komat B’rosh Bi-keish A-gagi Ben Hamdatah
V’ni-h’yata Lo L’fach U-lemokeish V’ga-a-vato Nishba-ta
Rosh Y’mini Niseita V'oyeiv Shmo Machita
Rov Banav V’kin-yanav Al Ha-eitz Ta-lita

Y’va-nim Nik-bi-tzu A-lai A-zai Bi-mè Chash-ma-nim
U’far-tzu Chomòt Migda-lai V’tim-u Kol Ha-shma-nim
U’mi-no-tar Kan-ka-nim Na-a-sa Nes La-sho-sha-nim
B’nei Vi-nah Y’mè Sh’mo-nah Kav-u Shir U’ri-na-nim

Cha-sof Z’ro-a Kodshecha V’ka-rev Ketz Ha-yeshu-ah
Nekom Nikmat Ava-decha Mei-uma Har-sha-ah
Ki Archah Ha-sha-ah V'en Ketz Limei Ha-ra-ah
D’chei Admon B’tzel Tzalmon Ha-kem La-nu Ro-im Shiv-ah